Myth, Animal & Woman

Edition

The animal is the oldest messenger in images. It carries what a culture cannot say plainly, what a person cannot admit without disguise: instinct, hunger, protection, omen, sacrifice, escape. It arrives when language fails, when the mind needs a body for its invisible forces.

„Girl with Goose“ – BUZZ do Brazil

generative 

Evolving library of visual and conceptual works exploring artificiality, perception, and digital identity.

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Heat, Smoke, Status

Heat, Smoke, Status

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SEQUENCE / SET#01/ BUZZ do Brasil / A rooftop gathering above the city. Bare skin, cigarettes, drinks, and waiting glances. Bodies linger between exposure and restraint. Moments where leisure, display, and hierarchy overlap without being named.
Arrangements of Society

Arrangements of Society

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SEQUENCE / SET#02/ BUZZ do Brasil / Balcony scenes, penthouse interiors, the city filtered through glass. Bodies, glances, small groups settling into positions that feel casual, yet precise. A quiet choreography of ease: presence as habit, intimacy as form, the room doing half the directing.
Hall of Mirrors

Hall of Mirrors

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SEQUENCE / SET#03/ BUZZ do Brasil / Rio from above. A penthouse view. The Christ statue in the distance, not as symbol, but as backdrop. Heat, glass, bodies pressed against the city. The body appears as if it were simply there. As if it found itself in the mirror without having looked.
Eros as Visual Engine

Eros as Visual Engine

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SEQUENCE / SET#04/ BUZZ do Brasil / Rooftop interiors and balcony edges. Bodies linger, drinks are held, glances circulate without destination. A setting where looking becomes continuous, and attention never rests.
Gaze on Screen

Gaze on Screen

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SEQUENCE / SET#05/ BUZZ do Brasil / Balcony shoots in full daylight. Assistants adjust fabric, posture, hair, silence. A camera turns leisure into a scene. The city is a backdrop.
Kitchen Laughter

Kitchen Laughter

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SEQUENCE / SET#06/ BUZZ do Brasil / Crowded kitchens late at night. Bodies pass too close, music spills into rooms. Laughter happens without a second thought.
Made Expectations

Made Expectations

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SEQUENCE / SET#07 / BUZZ do Brasil / In this sequence, expectation is not abstract. It sits at the table, enters the room, adjusts the body, and decides where the gaze should rest. The images move between tenderness and choreography, between private closeness and public staging. Hands, faces, neon, cigarettes, mirrors, cash, and skin appear as fragments of a shared ritual: not one story, but a pressure field.
Dream Nests

Dream Nests

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SEQUENCE / SET#08/ BUZZ do Brasil / Moving through rooms where childhood, desire, fear, and routine share the same narrow air, the sequence follows bodies in transition, shaped by tenderness and threat at once. Intimacy appears as shelter, but shelter is unstable. Power appears as posture, but posture is fragile. Policing, display, debt, survival, and the small ceremonies of belonging.
Freedom Played

Freedom Played

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SEQUENCE / SET#09 / BUZZ do Brasil / Moving along a trembling line between release and collapse. Bodies move as if nothing could hold them. Salt, breath, fabric, hands, a van at dusk. Nearness turns electric. Play hardens into pressure. Desire tips into risk.
Heat and Tides

Heat and Tides

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SEQUENCE / SET#10 / BUZZ do Brasil / At sundown, the van becomes a temporary room between party and retreat. Water still on the skin, sand on the floor, voices crossing in tight space. Every gesture carries both invitation and risk.
Reflection is Evidence

Reflection is Evidence

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SEQUENCE / SET#11 / BUZZ do Brasil / Between parade and backstage, desire is organized into images. Costumes, skin, rank, and gaze negotiate power in real time. The city watches through arches and mirrors.
Choreographed Affirmation

Choreographed Affirmation

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SEQUENCE / SET#12 / BUZZ do Brasil / In the courtyard of a colonial block, carnival shifts between mirror walls and crowd pressure. Bodies step forward, turn away, get touched, watched, and affirmed. What looks like celebration is also a social rehearsal, where identity is performed until it becomes believable.
Loops of Intimacy

Loops of Intimacy

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SEQUENCE / SET#13 / BUZZ do Brasil / In a crowded night bar, desire repeats itself as gesture. Hands guide, lips meet, drinks pass from mouth to mouth, and closeness becomes a social script. What looks like freedom is also choreography: intimacy performed in loops until touch feels both immediate and already known.
Almost Us

Almost Us

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SEQUENCE / SET#14 / BUZZ do Brasil / At a neighborhood bar, they circle each other through glances, screens, and touch. What looks like connection unfolds as a choreography of almost. Desire is present, but commitment keeps slipping out through the open door.
Public Desire

Public Desire

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SEQUENCE / SET#15 / BUZZ do Brasil / In a crowded night bar, desire moves before language. Bodies lean in, pull back, touch, watch, and get watched under warm light and smoke. What looks like intimacy becomes a public ritual of exposure, control, and return.
Les Protégés – Fragments of Hope and Despair

Les Protégés – Fragments of Hope and Despair

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“They do not know their roles – yet the world does.” Each figure carries a name, but the name is not protection — it is expectation. The women are archetypes — Lady Macbeth, Desdemona, Ophelia, Viola, Beatrice — and yet they are counter-images of themselves. They speak — but often without a voice.
Les Protégés – Fractures without Origin

Les Protégés – Fractures without Origin

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“Not all drama bleeds. Some stays quiet. And waits.” The names disappear, the quotes fall silent. What remains is the everyday – kitchens, animals, patches of light on skin. The drama hasn’t vanished, it has seeped into the banal. They are silent carriers of a tension that does not explode, but endures. They show that there is a role even without a costume – and that many do not find themselves in dramas, but in routines they were never written out of.
Les Protégés – An American Fable

Les Protégés – An American Fable

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These solitary figures and pivotal scenes reinterpret Shakespeare’s dramas, exploring the boundary between reality and imagination. Each image captures moments charged with tension, where hope meets despair and strength confronts vulnerability.
Lolita

Lolita

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She is not the story. She is the screen. A nation looks at her and sees itself: young, pure, untouchable. But behind the eyes— a history undone, a guilt renamed, a hunger never questioned.
Marisol

Marisol

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The Invisible Space That Shapes Us - This essay reflects on how we navigate between these invisible spaces: the hope for what is to come and the melancholy of what has been lost. The various figures are not mere representations of ideas — they are mirrors of our inner experiences. One question remains: How does the invisible—the things we hope for and the things we have lost—shape our being?
Raven

Raven

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The images show a half-lit, seemingly abandoned house—its corners echoing with silence—where a single figure sits, shadowed by a raven. The presence of the bird, and the echo of its whisper—Nevermore—anchor the work in Poe’s landscape of longing, loss, and inescapable memory. Here, memory is no longer a soft cocoon but a voice that returns again and again, refusing closure.
Pursuit of Happiness

Pursuit of Happiness

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Pursuit of Happiness constructs a radically stylized visual world — between mirrors and skulls, longing and surface. An aesthetic that exists somewhere between Hades and haute couture. The protagonists are icons of illusion. Staged bodies enclosed in vitrines of darkness and sheen. What they think remains their own. What they feel is reflected in light, in surfaces, in metallic skulls — never spoken. Merely suggested.
Roleplay

Roleplay

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Male projections. Anticipated, enacted, mistaken for truth.
Black Notes

Black Notes

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THE GUITAR MAKER / He forms the body, he strings the strings, but the deeper vibration begins in the space between two bodies. She appears as a black note.
First Crush

First Crush

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Five teen photographic pairings distil the raw, luminescent instant when friendship tilts into first love.
Body Puzzle

Body Puzzle

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BODY PUZZLE - turns repair into an allegory of time. Routine becomes ritual, fatigue becomes form. Not salvation, but continuation.
No Man’s Journey

No Man’s Journey

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What if no one is watching? What if no one remembers the attempt? When a journey has no witness, and no arrival - is it still a journey, or just a disappearance?
Final Holidays

Final Holidays

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Eye meets glare. Childhood innocence, sun-baked and suspicious. Final Holidays, where even hope squints.
In the Void

In the Void

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Sometimes, everything begins with light: cold, focused, unrelenting. In that moment—between sedation and awareness—there is a strange clarity. The medical world does not appear here as a backdrop, but as a language of its own: sterile, but never empty; distant, yet saturated with human proximity. A system of machines, hands, and glances—where every detail matters, and every silence speaks.
In Times of no Solace

In Times of no Solace

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Step back, look, feel, move on. Pain meets light, intimacy meets distance. Yesterday hope, today fatigue, tomorrow maybe lift-off. Compassion is radical. The images speak; you decide what they’re saying. In a world stuck on maximum volume, a single face stands still - compassion as the most subversive act left.
Precarious Self

Precarious Self

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The self appears as a provisional structure – shaped by encounters, overlaps, chance. Never finished, always re-balanced. In its very fragility lies the power to reinvent. Every tiny shift in this precarious balance cracks open new rooms of possibility within us.
LUX

LUX

"Luxury is a mask, the mouth stays always open."
Beauty

Beauty

Beauty speaks through shape and shadow.
Skin Care

Skin Care

Applied Beauty - Your skin, your story.
nglnd

nglnd

A visual branding project exploring how imagined nationhood and contemporary aesthetics converge.
Monolog – Mein Name

Monolog – Mein Name

Ein Kinderlachen, weit weg. Nicht im Raum, nicht im Tag — als ob die Wände sich an einen Garten erinnern, den sie nie hatten. Ein Kastanienbaum überspannte einst die Straße, ein dichtes grünes Dach bis zur Traufe.
Songs

Songs

A plain shelf of tracks. Click a title to listen - nothing more, nothing less
Études sur la Jalousie

Études sur la Jalousie

“Études sur la Jalousie” — studies in jealousy: through windows of love, gazes reach outward, rebound off their own shutters, half vision, half reflection, suspended between desire and blindness.”
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