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Carved Myself Hollow

„A bruised, intimate hymn of love and exile – a wound and an inheritance, a confession tracing a daughter’s flight across fevered shores.“

Carved myself Hallow

I came from a place

clocks ate their own faces

love wore barbed wire crowns

Cold pressed through concrete

rust bloomed in my throat

silence had teeth

[Chorus]

Carved myself hollow

carved myself clean

Not for angels

not for absolution

Love held the blade

I pressed against it

[Verse II]

She stood eyes split open

daughter made of lightning and want

swallowed fire

learned to shatter beautifully

[Chorus]

Carved myself hollow

carved myself clean

Not for crowns

not for mercy

Love held the nails

I built the cross

[Verse III]

Brazil took her in

fever dust hope

Now I hold ghost maps

interrogate wind

Follow the bleeding

Root in ash

Time devours everything

leaves only splinters

[Bridge|

Memory burns

Dreams bleed

Child-voice across salt water

This body borrowed breaking

Woman turned exile

And me

standing in the wreckage

half wildfire half prayer

[Outro]

Carved myself hollow

Carved myself clean

Love was the wound

Love was the gift

Love is the scar that stays

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Études sur la Jalousie

“Études sur la Jalousie” — 21 études in sound, studies in jealousy: through windows of love, gazes reach outward, rebound off their own shutters, half vision, half reflection, suspended between desire and blindness.

Final Holidays

The sun didn’t book a return ticket. Skin cracks. Salt dissolves stories. The beach stages its own reveal – no eyes closed in privacy here. Final Holidays: where paradise peels itself off.

High Balls

The game is ritual. Direct. Immanent. Self-explaining. No rules need to be explained.

High Balls

(*echo melts into groove*)
High ball… bodies fly… heat rise… we dive…

[Verse 1]
High ball, bodies fly,
sweat runs down where the shadows hide.
Salt on the lips,
heat in the veins,
the ground disappears beneath our feet.
Every leap breaks the air,
every fall shakes the sand,
and for a moment,
gravity forgets us.

[Chorus – vierstimmig, heiß und ekstatisch]
High ball, bodies fly,
hearts race, time slides by.
Under the sun,
we burn as one,
no colors, no borders,
only the fire,
only the game.

[Verse 2]
The sand explodes beneath our feet,
our breath tastes of dust and heat.
Every dive writes a story
the wind erases before we rise again.
No flag, no skin,
just motion,
just rhythm,
just heat.

[Bridge – geflüstert, Schicht über Schicht]
*One sun, one ground,
one game, one sound…*

[Final Chorus – ekstatisch, dichter, heißer]
High ball, bodies fly,
hearts race, time slides by.
Under the sun,
we burn as one,
no names, no colors,
only the fire,
only the game.

[Outro – hoch, hauchend, fast zerschmolzen]
High ball… bodies fly…
and the heat never ends…

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notes

Generative Fotografie löst das Bild vom Ereignis – und macht damit die Frage nach Intention radikaler denn je. Die Frage ist also nicht, ob man generative Fotografie „kann“. Die Frage ist: Was will ich sichtbar machen? Denn nur dort, wo diese Frage ernst genommen wird, entsteht ein Bild, das bleibt.

Die Bilder kennen wir, ohne sie je gesehen zu haben.Sie zitieren Erinnerungen, die nie stattgefunden haben, und lassen uns doch glauben, dabei gewesen zu sein. Zwischen Bühne, Schnitt und Blendung beginnt ein anderes Sehen.

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